Bibliographie
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- Bentley, Nick. “Contemporary Historical Fiction.” Contemporary British Fiction. Palgrave, 2018, 92- 107.
- Bergmann, Ina. “The New Historical Fiction: Between Tradition and Innovation.” Narrative is the Essence of History: Essays on the Historical Novel. Ed. J. Cameron. Cambridge Scholars Publishers, 2012, 139-151.
- Boxall, Peter. “Inheriting the Past: Literature and Historical Memory in the Twenty-First Century.”
- Twenty-First-Century Fiction: A Critical Introduction. Cambridge: Cambridge UP, 2013, 40-83.
- de Groot, Jerome. “Transgression and Experimentation, the Historical Novel.” The Cambridge Companion to British Fiction: 1980–2018. Ed. Peter Boxall. Cambridge: CUP, 2019, 169-184.
- Eaglestone, Robert. “The Past.” The Routledge Companion to 21st Literary Fiction. Eds. Daniel
- O'Gorman, Robert Eaglestone. Oxon and New York: Routledge, 2019, 311-320.
- Harris, Katherine. “‘Part of the project of that book was not to be authentic’: Neo-historical Authenticity and its Anachronisms in Contemporary Historical Fiction.” Rethinking History 21:2 (2017), 193-212.
- Heilmann, Ann and Mark Llewelyn. Neo-Victorianism, The Victorians in the Twenty-First Century, 1999-2009. Basingstoke: Palgrave, 2010.
- Lowenthal, David. The Past is a Foreign Country – Revisited. Cambridge: CUP, 2015.
- Mitchell, Kate. Victorian Afterimages, History and Cultural Memory in Neo-Victorian Fiction. London: Palgrave Macmillan, 2010.
- Perez Ríu, Carmen. “Neo Historical Fiction: David Mitchell’s Take on Adventure, Empire and the Exoticization of the Past.” Theory Now. Journal of Literature, Critique and Thought 2 (2) 2019, 182- 199.
- Rosen, Jeremy. Minor Characters have their Day. New York: Columbia UP, 2016.
- Rousselot, Elodie (ed). Exoticizing the Past in Contemporary Neo-Historical Fiction. London: Palgrave, 2014.
- Stewart, Victoria. The Second World War in Contemporary British Fiction: Secret Histories, Edinburgh University Press, 2011.
- Sutherland, Kathryn. “‘Where History says little, Fiction may say much’ (Anna Barbauld): the Historical Novel in Women’s Hands in the mid-twentieth Century.” Georgette Heyer, History and Historical Fiction. Eds. Samantha J. Rayner and Kim Wilkins. UCL Press, 2021, 18-35.
- Wallace, Diana. “Dialogues with the Dead: History and the 'Sense of an Ending', 1990-2000.” The Woman's Historical Novel: British Women Writers, 1900-2000. Palgrave Macmillan Limited, 2004, 201-226.
- Wallace, Diana. “Where Are the Women?” London Review of Books, Vol. 33, n°16, 25 August 2011. https://www.lrb.co.uk/the-paper/v33/n16/letters
- Wallace, Diana. “Difficulties, Discontinuities and Differences: Reading Women’s Historical Fiction.” The The Female Figure in Contemporary Historical Fiction. Eds. Katherine Cooper and Emma Short. London: Palgrave Macmillan, 2012, 206-221.
- Wilson, Leigh. “Historical Representations, Reality Effects: the Historical Novel and the Crisis of Fictionality in the first Decade of the Twenty-First Century.” The 2000s, A Decade of Contemporary British Fiction. Eds. Nick Bentley, Nick Hubble and Leigh Wilson. London: Bloomsbury, 2015, 145-176.
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